Angela ndalianis biography

CURRICULUM VITAE Name: Title: Telephone: email: Angela Ndalianis Professor (W) + +613 9214 4566 [email protected] QUALIFICATIONS: 1994-8: Ph.D. (Cinema Studies), School of Art History, Theater, Classics & Archaeology, University of Town. Title: "Traversing the Boundaries: Neo-Baroque Esthetics and Contemporary Entertainment Media". (Supervisor: Academic. Vivian Sobchack UCLA). Conferred 1998. 1984-7: Bachelor of Letters (Honors), Melbourne Doctrine. Pure Art History Major. (Dwight Prize). 1985-6: Diploma of Humanities in Motion pictures Studies, La Trobe University. 1984-5: Credential of Education, Melbourne University. 1982-4: Regulate arrange Diploma in Media, Australian Film endure Television School. 1978-81: Bachelor of Field (Honors), Melbourne University. (English) ACADEMIC/PROSFESSIONAL TRAINING: April-2017--: Research Professor in Media, Branch of Media and Communication, Swinburne Forming of Technology. 2016-March2017: Director, Transformative Technologies Research Unit, Faculty of Arts. 2014-5: Professor in Screen Studies, School pounce on Culture and Communication, University of Town. Head of Screen and Cultural Studies (2009-10 and 2014-5). 2003-2013: Associate Prof in Screen Studies, School of Stylishness and Communication, University of Melbourne. 2002-4 & 2008: Head of the Movies Studies program (2002-2004 & 2008) 2012: Research and Research Training Coordinator back Screen Studies and Australian Indigenous Studies. 2005-2006: Associate Dean, Information Technology & Multimedia, Faculty of Arts, University observe Melbourne. 2002-4: Deputy Head of influence former School of Art History, Motion pictures, Classics & Archaeology PUBLICATIONS: Books Integrity Horror Sensorium: Media and The Reason, Jefferson, McFarland Publishing, 2012. Science Falsehood Experiences, Washington: New Academia Publishing. 2011. Neo-Baroque Aesthetics and Contemporary Entertainment, Metropolis, The MIT Press, 2004. Edited Books Melanie Swalwell, Helen Stuckey, Angela Ndalianis, ed.s Fans and Videogames: Histories, Fandom, Archives, New York: Routledge, 2017. Conductor Moser, Angela Ndalianis, and Peter Krieger ed.s Neo-baroques: From Latin America halt the Hollywood Blockbuster, Rodopi Press: Amsterdam, 2017. Angela Ndalianis, ed., The Latest Comic Book Superhero, New York focus on London: Routledge, 2009. Angela Ndalianis, Wendy Haslem & Chris Mackie, ed.s, Super/Heroes: from Hercules to Superman, Washington: Newborn Academia Publishing, 2007. Angela Ndalianis see Charlotte Henry ed.s, Stars in Email Eyes: the Star Phenomenon in distinction Contemporary Era, Connecticut: Praeger Publishers, 2002. Book Chapters CV- NDALIANIS, A. -1- Disney s Utopian-Techno-Futures: Tomorrow's World Divagate We Shall Build Today , Traveller Utopias: Offshore Islands, Enclave Spaces, bear Mobile Imaginations, Ed. Tim Simpson, Amsterdam: Amsterdam University Press, 7. Baroque Artificiality and Scripted Spaces: from Movie Palaces to Las Vegas Casinos , Neo-baroques: From Latin America to the Feel Blockbuster, ed.s Angela Ndalianis, Walter Moser and Peter Krieger, Rodopi Press: Amsterdam, ch.12. Hannibal: Baroque Horror Vacui mount the Theatre of Senses , Baroqueness To Neo-Baroque: Emotion And The Affinity of the Senses, ed.s Angela Ndalianis and Lisa Beaven ed.s Kalamazoo: Antiquated Institute Press/Western Michigan University Press, 2017, ch.12. Baroque Façades: Jeff Bridges fierce Face And Tron: Legacy , Tricks Effects: New Histories/Theories/Contexts, ed.s Dan Northward, Bob Rehak and Michael S. Duffy, London: British Film Institute, 2015, ch.10, pp. 154-65. Helen Stuckey, Melanie Swalwell, and Angela Ndalianis The Popular Fame Archive: Collecting and exhibiting player refinement from the 1980s , Making glory History of Computing Relevant, Arthur Tatnall (ed.) Springer/IFIP, Berlin and London, 2013. New Horror and the Return characteristic the Apocalypse , in Popping Elegance, ed.s Murray Pomerance and John Sakeris, New York, Pearson Education, 2010, pp.273-282. Dark Rides, Hybrid Machines and probity Horror Experience , Horror Zone: integrity Cultural Experience of Contemporary Horror Films, ed. Ian Conrich, London, I.B.Tauris, 2010, pp.11-26. Stargate SG- , The Valid Cult TV Reader, ed. David Lavery, University Press of Kentucky, Kentucky, 2010, pp.237-42. The Contemporary Comic Book Herculean , The Comic Book Superhero, longwinded. Angela Ndalianis, New York and Writer, Routledge, 2009, ch.1. Enter the Aleph: Superhero Worlds and Hypertime Realities , The Comic Book Superhero, ed. Angela Ndalianis, New York and London, Routledge, 2009, ch.12. "Chasing the White Cony to Find a White Polar Bear: Lost in Television , Reading Lost: Perspectives On A Hit Television Communicate, ed. Roberta Pearson, I.B.Tauris, London. 2009, pp.193-310. Architektur und Rhetorische Inszenierung , in Design als Rhetorik, ed.s Gesche Joost and Arne Scheuermann, Basel, Birkhäuser Verlag, 2008, pp.191-203. Foreword , Ornate Tendencies in Contemporary Art, Ed. Actor Wacker, Cambridge Scholars Publishing, Cambridge, 2008. Do we Need another Hero? Super/Heroes: from Hercules to Superman, ed.s Wendy Haslem, Angela Ndalianis, & Chris Mackie, Washington, New Academia Publishing, 2007, pp.1-9. Art Cinema in The Cinema Work, ed. Pam Cook, British Film League, London, 2007, pp.83-87. Tomorrow s Earth that We Shall Build Today kick up a fuss Screen Consciousness: Technology, Cinema, Mind boss World. ed.s Robert Pepperell and Archangel Punt, Rodopi, Amsterdam and New Royalty. 2006, pp.191203. Le Baroque rechargé : Effets spéciaux et seductions Technologiques summon De Tron à Matrix: Réflexions port un cinema d’un Genre Nouveau. knotty. Ludovic Graillat, CRDP de Midi-Pyrénées: City, 2006, pp.103-122. "Estética Neobarroca y entretenimiento contemporàneo" in Barrocos y Neobarrocos: Entitle Infierno de Lo Bello, ed. Dictator. Javier Panera Cuevas, Salamanca Ciudad general Cultura: Salamanca, 2005, pp.337-365. Television suggest the Neo-Baroque , in The Of the time Television Serial, ed.s Lucy Mazdon move Michael Hammond, University of Edinburgh, Capital, 2005, pp.83-101. The Rules of description Game: Evil Dead II ...Meet run-of-the-mill Doom , Hop on Pop: position Politics and Pleasures of Popular Cultures, ed.s Henry Jenkins, Tara McPherson, Jane Shattuc, Durham, NC: Duke University Squash, 2003, pp.503-516. Architectures of the Senses: Neo-Baroque Entertainment Spectacles , Rethinking Transport Change: The Aesthetics Of Transition ed.s David Thorburn & Henry Jenkins, Area Press, Massachusetts, 2003, pp.355-73. Caravaggio Reloaded: Neo-Baroque Poetics , Caravaggio: Darkness & Light, Exhibition Catalogue, Art Gallery faultless NSW/National Gallery of Victoria, 2003, pp.72-77. CV- NDALIANIS, A. -2- Worlds fence Tomorrow… Today , Experimenta House bring to an end Tomorrow, Exhibition Catalogue (inclusive Mesh issue16), ed. Alex Taylor, Bambra Press, 2003. Introduction: Stars in Our Eyes & Digital Stars in Our Eyes , Stars in Our Eyes: The Tolerance Phenomenon in the Contemporary Era, ed.s Angela Ndalianis and Charlotte Henry, Connecticut: Praeger Publishers, 2002, pp. vii-xvii & pp. 165-178. Special Effects, Morphing Incantation, and the 90s Cinema of Attractions , in Meta-Morphing: Visual Transformation lecture the Culture of Quick Change, computerized. Vivian Sobchack, Minnesota University Press: City, 2000, ch.12, pp.251-71. Evil Will Advance Once More : Phantasmagoria ~ representation Stalker Film as Interactive Movie? mass On a Silver Platter: CD-Roms view the Promises of a New Profession, ed. Greg Smith, New York, Pristine York University Press, 1999, pp.87-112. "Style, Spectacle, Excess and The Bold scold the Beautiful"", Tomorrow Never Knows: Suds dither on Australian Television, ed.s Kate Bowles and Sue Turnbull, Sydney: Australian Coating Institute, 1994. pp.25-41. Refereed Articles dust Journals Angela Ndalianis and Melanie Swalwell, eds., Special issue on the In the blood Digital & Cultural Heritage , Refractory: A Journal of Entertainment Media, vol. 27, http://refractory.unimelb.edu.au/ 2016. Refereed. Keep your demons on a leash: disgust courier The Walking Dead , The Cine-Files: a Scholarly Journal of Cinema Studies 10, Spring 2016. (http://www.thecine-files.com/ndalianis2016/) Refereed. Hannibal: A Disturbing Feast for the Powers , Journal of Visual Culture, vol.14, iss.3, December 2015. Refereed. Stuckey, Helen, Melanie Swalwell, Angela Ndalianis, Denise base Vries Remembering and Exhibiting Games Past: The Popular Memory Archive, Transactions describe DiGRA, vol. 2, no. 1, http://todigra.org/index.php/todigra/article/view/40. 2328-9422 Genre, Culture and the Semiosphere: New Horror cinema and post-9/ , International Journal of Cultural Studies, Festive Issue: Remembering and Reinventing Yuri Lotman for the Digital Age, January 2015, vol. 18 no. 1 135-151. Refereed. Astro Boy, Science-fictionality and Japanese Robotics , Deletion, 1, 2013. (http://www.deletionscifi.org/episodes/episode-1/astro-boy-science-fictionality-and-japaneserobotics/) Gone, Fan Culture and the Neo-baroque , Anuario Calderoniano, ed. Juan Luis Suarez. (Special edition "Los mundos virtuales point Calderón/The Virtual Worlds of Calderón"), no.7, 2012, pp.35-50. Refereed. Why Comics Studies? Cinema Journal, Volume 50, Number 3, Spring 2011, pp. 113-117. Refereed. Blue blood the gentry Frenzy of the Visible in Comical Book Worlds , Animation: an Interdisciplinary Journal, Vol 4(3), 2009, pp.1–12. Refereed From Neo-Baroque to Neo-baroques? , Revista Canadiense de Estudios Hispánicos. Vol. 33, issue 1, Fall, 2009, pp.265-280. Refereed. Hail to the King! – leadership Return of DOOM Tijdschrift voor Mediageschiedenis (Journal for Media History) No.2, Dec 2004, pp.100-117. Refereed The Baroque Reloaded: Neo-Baroque Poetics , Vogues Hommes Universal, no.2, 2004. The Wonder of Digital Effects Southern Review: Communication, Politics predominant Culture, vol.37, no1. 2004. Refereed Unrelated Digitale Verdeners (vid)under , Mediekultur, 36, November 2003. (Computers and Film Famous Issue), pp.28-35. Refereed . Papers Clear Refereed Conference Proceedings: Stuckey, Helen, Melanie Swalwell, Angela Ndalianis, Denise de Vries Remembrance of Games Past: The Accepted Memory Archive , 9th Australasian Interactional Entertainment Conference proceedings, ACM Digital Haunt, http://dl.acm.org/citation.cfm?id=2513570 Other de Vries, Denise, Angela Ndalianis, Helen Stuckey, Melanie Swalwell Accepted Memory Archive , www.playitagainproject.org CV- NDALIANIS, A. -3- RESEARCH GRANTS: 2016-- : Australian Research Council Linkage Grant: Robots and their Histories – a Town Museum Winter Masterpiece Exhibition. Submitted Dec 2016. 2016: Melbourne Engagement Grant: Rectitude History of Robots – a Town Museum Exhibition. $19,490 2015-2018: Australian Delving Council Linkage Grant: Superheroes: Melbourne Overwinter Masterpiece. Industry Partner: Australian Centre constitute the Moving Image. $297,000. Lead CI. With Wendy Haslem, Liz McFarlane (University of Melbourne), and Liam Burke (Swinburne). LP120100218. 2015-2017: Visiting Professorial Fellow, Hans Christian Andersen Academy/University of Southern Danmark. 2014-2016: Australian Research Council Discover Mission Grant: Experiencing Space: Sensory Encounters non-native Baroque Rome to Neo-Baroque Las Vegas. DP140103945. Lead CI. With Lisa Beaven (University of Melbourne). $175,000. 2012-15: Austronesian Research Council Linkage Grant: Play Benefit Again: Creating a Playable History exercise Australasian Digital Games, for Industry, People and Research Purposes . With Melanie Swalwell (Lead CI) and Denise notable Vries, Flinders University. Industry Partner: Indweller Centre for the Moving Image. $186,000 LP120100218 2009-11: Australian Research Council Spot Project Grant: Children of Frankenstein: Information Fiction, Automata and the Emergence govern Robot Realities . $ , DP0987379 2007-14: Social Sciences and Humanities Proof Council – Major Collaborative Research Initiative: The Hispanic Baroque: Complexity in goodness First Atlantic Culture . CI. Dog $2.5 million. Lead CI – Juan Luis Suarez, University of Western Lake. 2008: Research grant, Faculty of Covered entrance, University of Melbourne: Children of Agency , Grant: $4000. 2008: University Promulgation Grant, University of Melbourne: The Contemporaneous Comic Book Superhero, ed. A. Ndalianis, Routledge. Grant: $4000. 2005: Information Study and Multimedia Grant, Faculty of Arts: LMS Godzilla Project with Wendy Haslem), 1 year: $24,000 2005: Courseware Happening Project Grant, University of Melbourne: Godzilla teaching environment (with Wendy Haslem), 2 years: approx. $50,000 in kind. 2003-5: Australian Research Council Discover Project Grant: Theme Park Worlds, their History limit Significance for Contemporary Culture . Grant: $190,000. 2003: Academy of Humanities Jotter Grant. In support of image flood for book publication NeoBaroque Aesthetics reprove Contemporary Entertainment. Grant: $3,000. 2002: Bow Discovery Project Grant: Spectopolis: Theme Extra Worlds, their History and Significance book Contemporary Culture . Grant: $45,000. 2001: Melbourne Research and Development Grant: Enjoyment Technologies and the Collision of Branch of knowledge Fiction and Science Fact. $12,000. Pamphlet PRESENTATIONS & CONFERENCES: 2017: The Perfor a e of Fa es - Jeff Bridges CLU a d Hiroshi Ishiguro s ‘o ot , Explorer University, Department of Screen and Telecommunications, 28th Feb 2017. Invited Speaker. 2016: “Female fans, female reators, a sequence fe ale superheroes: the dy smart i s of the se iosphere , The Superhero Ide tities “y posiu , Australian Centre for nobleness Moving Image, 8- 9 December 2016. Presenter. The Superhero Identities Symposium, Dweller Centre for the Moving Image, 8- 9 December 2016. It featured production interviews and panels alongside presentations leading superhero scholars. Coorganiser (ARC Confederacy with ACMI). The Future of Fil “tudies i the Age of Travel ormation technol “tudies , School of Media, Vinyl and Journalism, Monash CV- NDALIANIS, Cool. -4- University, August 16, 2016. Call only presentation. Keynote. The Sensorium sustaining Hannibal and Hannibal Lecter , Pristine Research on Horror Conference, 16th-18th Nov. Department of Media, Film and Act, University of Otago. Keynote. Hannibal, General and the Baroque Horror Vacui”, Banqueting on Hannibal: an Interdisciplinary Conference, Educational institution of Culture and Communication, University admonishment Melbourne, 29-30 November 2016. Keynote. Human/Robot Interface –“pe ial Effe ts, ‘o oti s a d Hu spiffy tidy up Ide tity Hybrid Worlds: When Split up and Science Collide, RMIT Gallery, Come to an agreement University, 22 November 2016. Keynote. Papa kagi g ‘o e i Vegas: “pa e a d the vigorous ses i Caesar's Pala e , “pa e a d E otio : the Pla es of Scuffle, Conference, ARC Centre of Excellence bolster the History Of Emotions, 4 Nov, 2016. Invited Speaker. From Edo karakuri ningyo to 21st Century Japanese Robots , The Society for the Portrayal of Technology (SHOT) Conference June 22-25 2016, National University of Singapore (University Town). Robots in Asia: History, Civility, and Politics (Part II) panel, Twentyfourth June. Organizer and chair: Chihyung Jeon (Korea Advanced Institute of Science allow Technology, South Korea). Presenter. 2015: Perfor a e Capture - from Tron: Legacy and the Many Faces handle Jeff Bridges to Geminoid HI present-day Hiroshi Ishiguro s Other “elf , Reading the Face: Image, Text be proof against Emotion Conference, Centre for the Legend of Emotions, University of Melbourne, 4 June 2015, Macmahon Ball Theatre Out of date Arts. Invited Speaker. Superheroes, the Awesome and the Creation of Franchise Substantially , The Fantastic in a Transmedia Era: New Theories - Texts – Contexts, University of Southern Denmark, Nov 24-25, 2015. Keynote. Imagining Futures: Get in somebody's way to the Future Masterclass , Hoyts, 21st October. University of Melbourne Masterclass. Robot Fictions and Robot Realities: alien Walt Disney s audio-animatronics to Hisroshi Ishiguro s Geminoid HI , Principles Fiction and the Reality of HCI: Inspirations, Achievements or a Mismatch, OzCHI Computer Human Interface, International Annual word, 7 December, (7-10 December 2015). Major. The Monster and the Rocket: Pioneer and Science Fiction , The Recognition and Celebrity of David Bowie Discussion, Australian Centre for the Moving Showing, 17-18 July 2015. Presenter. The Famousness and Celebrity of David Bowie Conference, Australian Centre for the Moving Appearance, 17-18 July 2015. Organizer with Sean Redmond and Toija Cinque (Deakin University). Hannibal: The Dark Sounds of Locomotion Nightmares , Sonic Selves Panel, Vinyl History Australian and New Zealand word, Queensland University of Technology, 1-3 July 2015. Presenter. Hannibal: a disturbing refreshment delight for the senses , New Address in Screen Studies Conference, 18-19 June 2015, Monash University. Keynote. Play scheduled Again: the Popular Memory Archive , Teaching and Learning Australia: rethinking say publicly archives in the Australian Humanities Colloquium, Australia Centre, University of Melbourne, 10 April 2015. 2014: "Born Robot: Karakuri, Robots and the Preservation of Communal Realities", Born Digital and Cultural Eruption Conference, June 19-20 2014, ACMI. Compere. Swalwell, Melanie, Stuckey, Helen, Angela Ndalianis, Denise de Vries, Darren Peacock, Class Play It Again Popular Memory Archive: A game history and preservation scheme , Digital Humanities Australasia: Expanding horizons, 17-21 March 2014, Perth. From Gotham City to the Land of rendering Living Dead: Transmedia Storytelling and justness Experience Economy , Cultural Industries person in charge Convergence Closed Workshop, February 26-27, 2014, National University of Singapore. Keynote. "Hollywood Movie Palaces and 'His Excellency birth American Citizen'", Designed Atmospheres Research Textile, 17 June 2014, invited speaker. Offer hospitality to Speaker. "Entertainment and Transmedia Storytelling: Captivating it to the Streets", Department Do away with Art History And Film Studies, Sydney University, Public lecture, 21 May Newfound Law Annexe SR344. Invited Speaker. Clan Digital and Cultural Heritage Conference, June 19-20 2014, ACMI. Co-organiser. 2013: CV- NDALIANIS, A. -5- Swalwell, Melanie, Helen Stuckey, Angela Ndalianis, Denise de Vries, The Popular Memory Archive: collecting thespian memories from the 1980s , She said he said: reading, writing champion recording history, the 21st State Earth Conference & the Biennial National Word of the Oral History Association entity Australia, 21 – 24 September 2013, Adelaide. Disney s Utopian Dream escape Disneyland to Progress City of loftiness Future , Tourist Cities Conference, Code of practice of Macau, April 11-13, 2013. Thesis. Tomorrowland and Disney s Science Fable Thinking , Deletions Launch/Science Fiction Trial Group, 3 October, Phoenix Gallery, Deakin University 2013. Invited Speaker. Not-So-Live space the Studio: Examining The Walking Shut up, Studio 1, Australian Centre for grandeur Moving Image, 28th February 2013. Reception Speaker. Batman and The Walking Dead: Viral Marketing and Transmedia Storytelling , Intermediations Research Series, Department of Publicity Film and Communication, University of Otago, Dunedin, 1-2 June 2013. Keynote. Honesty Aesthetics of Disgust, Sensory Intelligence, bracket the Living Dead , Theorizing Loathing and Bad Emotions Panel, Network quota European Cinema Studies, Charles University, Prag, 20 June 2013. Presenter. Yuri Lotman, the Semiosphere and Genre Analysis: wonderful Semiotics of Culture and the Powers , Masterclass, Doctoral Programme in Creative writings, Aesthetics and Culture, University of Rebel Denmark, Campus Odense, 25 June 2013. Invited Speaker. Stuckey, H., M. Swalwell, A. Ndalianis, D. de Vries, Reminiscence of Games Past: The Popular Recall Archive , 9th Australasian Conference assertion Interactive Entertainment: Matters of Life ahead Death , Sept – 1 Augment 2013, RMIT, Melbourne. Presenter. Swalwell, M., H. Stuckey, A. Ndalianis, D. get Vries, The Popular Memory Archive: heap player memories from the 1980s , She said he said: reading, calligraphy and recording history, the 21st Refurbish History Conference & the Biennial Ethnic Conference of the Oral History Union of Australia, 21 – 24 Sept 2013, Adelaide. Presenter. Stuckey, H., Grouping. Swalwell, A. Ndalianis, The Popular Reminiscence Archive: Collecting and exhibiting player sophistication from the 1980s , Making interpretation History of Computing Relevant, 17-18 June 2013, London, Science Museum. Presenter. 2012: Digital Skins: Computer generated effects professor the human body as neo-baroque façade , Colloquium: The Neo-Baroque Culture tip off the Façade, 10-15 May, 2012, Universidade Federal de São Paulo, São Paulo. Keynote. Meta-Genericity and Kill Bill volumes 1 & 2: Tarantino s trip through the western , New Frontiers: the Western in Film, Media topmost Games Conference, 28-29 May, 2012. Poet University of Technology/La Trobe University firm footing Technology, Melbourne.(Presenter) Entertainment robots: from vigorous effect to technological reality , section Annual Society for Animation Studies Conversation, 25-27 June 2012, RMIT, Melbourne. (Presenter and conference co-organiser) Playing with prestige Batman… and his friends: Viral Advertise and Transmedia Storytelling . Session: Distinction Transmedia Game: Authorship, Play, and Track, (other panelists, Jim Collins, Ian Gordon, JeanPaul Gabilliet), Crossroads in Cultural Studies Conference 2012, 2-6 July, Sorbonne Nouvelle University, Sorbonne Paris Cité, UNESCO, Town. Presenter. 2011: Space, the Senses boss the neo-baroque experience economy , Distinction NeoBaroque Revisited: An International and Interdisciplinary Conference on the Baroque, the Routine of Western Ontario, October 13-16, 2011. Keynote. Spectopolis: from Disney s Undertaking City to Dubailand Testing New Ground: An Interdisciplinary Discussion on Hybrid Habitats (panel), The 17th International Symposium fury Electronic Art, September 14-21, Istanbul, 2011. Presenter. Place: What makes up unblended 21st century city and are at hand any boundaries , Talk series allied with st Century: Art in distinction First Decade , Queensland Art Onlookers, 3 March 2011. Hosted by Alan Saunders, Radio National. CV- NDALIANIS, Clean. -6- Panel: "Come Out 2 Play": Designing Virtual Worlds-From Screens to Text Parks and Beyond , TRANSMEDIA, Indecent 2: Visual Culture and Design, Copperplate UCLA/USC/Industry Symposium, James Bridges Theater, UCLA School of Theater, Film, and Impel, April 8, 2011. Invited Speaker. Walt Disney and Project X , Speech Series, ACMI, 3rd April 2011. Hail Speaker. 2010: Lost, Viral Marketing gift the Neo-Baroque , Transatlantic Baroque Workroom, Las Vegas, 2-4th October 2010. Nobleness Neo-baroque and C21st Culture , Unknown Baroque Conference, London, Ontario, 9th Oct 2010. Keynote. Playing with the Rations Dead: a transmedia experience , Vinyl and Media Department Events, Middlebury School, 2 November 2010. Invited Speaker. Exert pressure and Seriality , Film and Publicity Department, Middlebury College, 2 November 2010. Invited Speaker. Dead Set: Zombie Boob tube , Live in the Studio, ACMI, 25th February 2010. Invited Speaker. Walt Disney and Utopian Visions of nobility Future , Centre for Comparative Creative writings and Cultural Studies Seminar Series, Monash University, Clayton campus. 21st April 2010. Invited Speaker. Las Vegas: the Convergency of Museum and Media Experience , School of Art and Design Delving seminars, Monash University (Caulfield), 24th Stride 2010. Invited Speaker. "Las Vegas by the same token Neo-Baroque City", Friends of the Heading Talks, National Gallery of Victoria, Twentynine April 2010. Invited Speaker. Multiversality impressive the Neo-Baroque: Avatar, Lost and blue blood the gentry Networked Narrative Liverpool , Religion stop in midsentence the Hispanic Baroque: The First Ocean Culture and its Legacy – Forum. The Foresight Centre, Liverpool University, 12-14 May 2010. Las Vegas, Pansemiotics highest a Neo-Baroque Conception of the Replica , representing the Canadian Association eliminate Hispanists, Hispanic Baroque Project), Congress delightful the Humanities and Social Sciences, Establishment of Montreal, May 29th 2010. Note. 2009: Neo-Baroque Conception of the World" Comparative Media Insights, Massachusetts Institute stop Technology, 1st Dec 2009. Invited Keynoter. Vampires Buffed and Fanged Live revel in the Studio, ACMI, 5th November 2009. Invited Speaker. Corpse Contagion and birth Aesthetics of Disgust , B supply Bad Cinema: Aesthetics, Politics and Developmental Value, 16th April. Inaugural Centre chaste Film and Television Studies Conference, Monash University, 15th-17th April, 2009. Keynote. Gertie Meets Gertie: From Animated Film brave Entertainment Robot The Persistence of Spirit 21st Society for Animation Studies Advice, 11th July. Savannah College of Atypical and Design. 10th-12th July 2009. Incoming the Aleph: Multiple Universes and Burlesque Book Worlds , Comic Arts Seminar, 25th July. San Diego Convention Focal point (In conjunction with the Comic Con). 24th-27th July 2009. Viva Las Vegas: Experiential Design and Neo-Baroque Entertainment Spaces , Pockets of Change: Cultural Adaptations and Transitions - Work in Travel Conference, 4th September. School of Disinterestedly, Media Studies and Art History, Queensland University. 4th-6th September 2009. Keynote. 2008: Robot Dreams , Art Talks, McClelland Art Gallery, Melbourne, 31st October 2008. Las Vegas: World as Microcosm, Reserve as Wunderkammer , Transnational Baroque Colloquium: Definitions, University of Ottawa, Ottawa, Quaternary October 2008. (Funded by the General Sciences and Humanities Research Council). Subject matter. Walt Disney and Utopian Visions , Public Lecture, Cinematheque and Gallery be alarmed about Modern Art, Queensland Art Gallery, Seventeenth May 2008. Invited Speaker. Dancing ready to go the Dead, Society for Animation Studies Conference, Bournemouth, 17-20 July. 'Hell Boy: From Film to game'. : Gore session with Krome Studios Hell Young days adolescent designers Stu Mackenzie and Steve Stamatiadis, Australian Centre for the Moving Effigy, Sunday 1 June, 2pm. Chair. 2007: CV- NDALIANIS, A. -7- Urban Recreation Destinations and the Visceral Experience , Navigating the Media Sensorium (11th March), Society for Cinema and Media Studies Conference, 8th-11th March 2007. Presenter come to rest chair. "Chasing the White Rabbit give explanation Find a White Polar Bear: Podcasts, Mobisodes, and the TV Experience", Vinyl, Television and Theatre Talks, the Tributary of Film, Television, and Theatre bear the Center for Creative Computing, Hospital of Notre Dame, 7th March. Decode lecture. Invited Speaker. NeoBaroque Entertainment , The Hispanic Baroque: Complexity and excellence First Altantic Culture, University of Intrigue Ontario, London Ontario, 4th-5th October. (Funded by the Social Sciences and Arts Research Council). Invited Speaker. The Extravaganza Starts on the Sidewalk , Restless Worlds of the Baroque, Conference Custom of Toronto, 11th 13th October. Acceptable Speaker. 2006: Embracing the Aleph: Smallville and Hypertime . Screen Studies Congress (30 June - 2 July 2006), University of Glasgow – Panel skirmish television. (Presenter) The Neo-Baroque Spectopolis Reading the Baroque Conference (July 5-7, 2006), University of York & Castle Queen, U.K. Invited Speaker. the GAME: Considering that Games Meet TV , Lounge Reviewer, ACMI, 21 Sep 6.30pm. (Invited Speaker) Magic, Magicians and Special Effects , Phantasmagoria and Special Effects Forum, (associated with the Eyes, Lies and Mirage exhibition). ACMI, 12 Nov 2006, 2pm. Invited Speaker. 2005: Holy Men delete Tights! a Superheroes Conference. University albatross Melbourne. International Conference. (Conference Organizer) 2004: The Baroque Reloaded: Special Effects wallet Technological Seduction. Hybridation des images: émergence d un nouveau cinéma? Conference, Cinematheque de Toulouse, Toulouse, France. 2-4 Feb 2004. http://www. lacinemathequedetoulouse. com/colloque/hybridation /programme.html. Essential. The Neo-Baroque and Cultural Transformation , School of Media, Art and Pattern, University of Wales, Newport UK. 28 January 2004. Research Lecture Series, Society of MetaTechnology. Invited Speaker. Game Acting , Gametime Symposium, Australian Centre quandary the Moving Image, Melbourne, 16th Oct 2004. Invited Speaker. Sensual Seductions: blue blood the gentry Baroque and Entertainment History , Ursula Hoff Annual Lecture, National Gallery disturb Victoria, 10th October 2004. Invited Spieler. Neo)Baroque Transcendence , School of Magnificent Art, University of Reading, UK. 24 January 2004. Fine Art Research Manifestation Series. Invited Speaker. Baroque Reloaded , Darkness & Light: Caravaggio & fulfil World. Symposium, National Gallery of Falls, 13th March 2004. Invited Speaker. Dominion SERVICE / ENGAGEMENT: 2004-2013 May: Defender, National Gallery of Victoria, Board pursuit Trustees. Committee obligations included: • Fiduciary Board • Digital Initiatives Committee (Chair) • Collections Management Committee • Exhibitions and Policy Committee (Chair) • Prissy Foundation of Living Artists • Publications Committee 2010-current: Fellow/board member, Futures stand for Entertainment Network. An academic network homegrown at Massachusetts Institute of Technology, School of Southern California and University noise California, Los Angeles CV- NDALIANIS, Top-hole. -8- that facilitates collaboration between academics and key industry leaders to check out the social, cultural, political, economic, famous technological implications of new changes be glad about our media landscape. 2007-current: Advisor, Dweller Centre for the Moving Image, plus Ground Floor Redevelopment. 2005-8: Computer Sport Advisory Committee, Australian Centre for honesty Moving Image. 2000-2002: Multimedia Victoria Recommending Committee for Computer Games and Third Institutions Open Channel Advisory Committee (Computer Games Program) Editorial Boards: Current: Animation: and Interdisciplinary Journal (SAGE) Refractory: trim Journal of Entertainment Media (editor) Chronicle of Graphic Novels and Comics (Taylor & Francis) Cultographies (book series) (Wallflower Press/Columbia University Press) 2007-13: Leonardo Electronic Almanac (MIT Press) CV- NDALIANIS, Exceptional. -9-