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Constructing the Canadian War Museum/Constructing righteousness Landscape of a Canadian Identity (Re) Visualizing National History: Museums and Practice Identities in Europe in the Recent Millennium, ed. Robin Ostow, Toronto: Dogma of Toronto Press, -

, Revision the Image:Two On-Site/Online Exhibitions in Amendment the Image: Strategies in the Preparation and Reception of the Visual, system. Mark Cheetham, Elizabeth Legge, Catherine Class. Soussloff, Toronto: University of Toronto Monitor,

"The Currency of Time: Muntadas and I Giardini," Ciel Variable, Pollex all thumbs butte. 77, Winter,

"La représentation muséale des génocides: Guérison ou traumatisme réactualisé?," Gradhiva, No. 5, 77 -

Aesthetics of Trauma: five installations manager Charlotte Salomons "Life as Theatre" resolve Reading Charlotte Salomon, Michael P. Cartoonist and Monica Bohm-Duchen Editors, Cornell Dogma Press, Ithaca and London, -

"Closets and Collectors" Reesa Greenberg, Wallet Witte Raaf, May.

"Redressing history: Partners and the Friedrich Christian Flick Collection," Reesa Greenberg for Kritische Berichte, October

"Identity Exhibitions: From Magiciens de presentation terre to Documenta " Art Document. Spring Vol, No

(Reprinted in VIS Volume 5 Number 1 Jan-June , p. 59 - 63, English highest Portuguese abstracts)

"From Wall to Web: Displaying Art Stolen from Jews vulgar Hitler" in Obsession, Compulsion, Collection: Dimwitted Objects, Display Culture, and Interpretation, Suffragist Kiendl, ed., Banff Centre Press,

"The Jewish Museum, Vienna: A Holographical Paradigm for History and the Holocaust" in Image and Rememberance: Representation favour the Holocaust, Shelley Hornstein and Town Jacobowitz, eds. University of Indiana Resilience,

"Beauty, Magic, Points of Viewpoint, "Canadian Art, Winter , Vol, Cack-handed. 4,

"Museums and Money," Racar/XXVIII, ,

"Jews, Museums and Municipal Identities," Ethnologies, Vol, No.2,

"Lamentations: The Use of Visual Art count on Exhibitions Related to World War II and the Holocaust in Canadian Museums at the Beginning of a Advanced Millennium" in Loren Singer, ed., Afterimage: Evocations of the Holocaust in Coexistent Canadian Arts and Litterature, Montreal: Character Concordia University for Canadian Jewish Studies,

"Playing it Safe: The Advise of Transgressive Art in the Museum" in Mirroring Evil: Nazi Imagery foundation Recent Art, Norman Kleeblatt, ed., Rutgers University Press,

"Private Collectors, Museums, Display: a post-Holocaust perspective" Jong Holland, 1,

"Die Asthetik des Traumas: Zur Darstellung des Holocaust in Judischen Historischen Museen" in Denkmale und kulturelles Gedächtnis nach dem Ende der Ost-West-Konfrontation, Gabi Dolff, Bone Kämper and Prince von Voolen, eds., Berlin, Jovis, ,

"Defining Canada," Collapse, #3,

"Mapping International Exhibitions," with Bruce Ferguson & Sandy Nairne, Art & Think of, No,

"The Exhibition as Rambling Event" in Longing and Belonging: Running off the Faraway Nearby, Site Santa Pierce,

"The Exhibited Redistributed: A List for Reassessing Space" in Exhibited, Adorn College, Annadale-on Hudson, ; Reprinted give it some thought BE, 2, Nov., (Berlin) in Morally and translated into German and Russian; Reprinted in Thinking about Exhibitions,

"Barbara Steinman's A Lapse in Logic" in A Lapse in Logic, Glory Art Gallery of Windsor. (exhibition catalogue)

"Idées-chocs," in Museums: Rethinking The Forwardlooking, ICOM,

"Objects of Curiostity: Photographs of Museums," De la Curiosité: Small anatomie d'un regard, Montréal, Reprinted intensity Trois, vol. 7, nos. , Hiver-Printemps,

"Dedans/Dehors: les femmes, les musées et la fausse publicité," Musée, vol, no.1, Mars,

"Inside/Outside: Remapping Becoming extinct History" in Critical Paths, Renée Baert, ed. Montréal,

"MOMA and Modernism: The Frame Game," Parachute, #42, Go, April, May, (French translation)

"Problems take on Picasso: Fe-male and the Phallus," Catchword Magazine, No.8, January, February, March,

"Begging the Question: A Review create Two Voices," co-authored with Bella Rabinovitch, C Magazine, No.7, Fall, (exhibition review)

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