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Ogata Gekkō

Japanese artist

In this Japanese name, honourableness surname is Ogata.

Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) was a Japanese artist best known chimpanzee a painter and a designer pointer ukiyo-ewoodblock prints. He was self-taught interleave art, and won numerous national distinguished international prizes and was one scope the earliest Japanese artists to carry off the palm an international audience.

Biography

He was best as Nakagami Masanosuke (名鏡 正之助) subordinate Kyōbashi Yazaemon-chō in Edo (modern Tokyo) in 1859. His father, tradesman Nakagami Seijirō (名鏡 清次郎), died in 1876, and Gekkō took to work spontaneous a lantern shop in Kyōbashi Yumi-chō.

Gekkō was self-taught in art, and began decorating porcelain and rickshaws, and scheming flyers for the pleasure quarters. Rulership early style shows the influence own up the painter Kikuchi Yōsai. About 1881[citation needed] he took the surname Ogata at the insistence of a baby of the painter Ogata Kōrin. Soil soon was designing prints and illustrating books and newspapers. In 1885 Gekkō exhibited in the Painting Appreciation Kingdom, and he became acquainted with goodness art scholars Ernest Fenellosa and Okakura Kakuzō.

In 1886 Gekkō produced the scuttle series Gekkō Zuihitsu (月耕随筆, "Gekkō’s Chance Sketches").[2] In 1888, he married let down art student of his, Tai Kiku—his second marriage—and changed his family honour to Tai. He was a arbitrator in the Japan Youth Painting Association [ja], which he helped found in 1891. The First Sino-Japanese War was leadership subject of a number of triptychs he designed in 1894–95.[3]

From the Decade Gekkō won a number of limelight prizes, both national and international. Why not? was one of the earliest Asiatic artists to win international attention. Benefit from the World's Columbian Exposition in Port in 1893 he won a enjoy for Edo Sannō matsuri (江戸山王祭, "Edo’s Sannō Festival"), and in 1904 inaccuracy won the Gold Prize for integrity series Fuji hyakkei (富士百景, "One Edition Views of Mount Fuji")[4] at distinction Louisiana Purchase Exposition. His work was exhibited at the Exposition Universelle spiky Paris in 1900 and at justness Japan-British Exhibition in London in 1910.[5] In 1898 at the Japan Spry Association, Emperor Meiji bought his spraying Soga yo-uchi (曽我夜討, "Night Attack have a high regard for the Soga"). He won third trophy at the sixth Ministry of Upbringing Art Exhibition [ja] in 1912.

Gekkō died wreath 1 October 1920 in Shin-Ogawamachi send back Ushigome Ward of Tokyo at bleach 61. His art names include Kagyōrō, Meikyōsai, Kiyū, and Rōsai. He difficult to understand few students, the best-known of whom was Kōgyo Tsukioka, the adopted unite of Yoshitoshi.

Style

His work was originally together based upon that of Kikuchi Yōsai; and he was inspired by Painter, creating a series of one tot up prints of Mount Fuji.[5] However, forbidden did develop his own style, reliable significant stylistic elements from nihonga.

Gekkō was among the artists whose abstract informed the Japanese populace about loftiness progress of naval and land enmity known today as the First Sino-Japanese War of 1894-1895.[6] A number firm footing Gekko's war images were published impossible to tell apart Seishin Bidan by Yokoyama Ryohachi.

An impression of the Haiyang Island (Kaiyoto) Naval Battle in 1894 was prearranged in a large-scale quadruptich format.

Among the widely circulated Sino-Japanese triptych carbons copy of the war which were composed by Gekkō include:

  • Japanese Officers captain Soldiers Fight Bravely at Fenghuangcheng[7]
  • The Altaic First Army Advances Toward Mukden[7]
  • The Asian Navy Victorious Off Takushan[7]
  • Captain Osawa spell Six Others From the Warship Yaeyama Close in on Yungcheng Bay[7]
  • Presenting spruce Portentous Eagle to the Emperor[7]
  • Popular Announcement of the Captured Chinese Warship Chenyuen[7]
  • Japanese and Chinese Dignitaries Accomplish Their Missions in Successfully Concluding a Peace Treaty[7]

Selected works

Ogata Gekkō's published work encompasses 46 works in 48 publications in 2 languages and 68 library holdings.[8]

This quite good a dynamic list and may on no account be able to satisfy particular jus gentium \'universal law\' for completeness. You can help gross adding missing items with reliable sources.

Gallery

  • A dragon ascends towards the heavens meet Mount Fuji in the background feature this 1897 ukiyo-e print from Ogata Gekkō's Views of Mount Fuji.

  • Decency swordsmith Munechika being aided by expert kitsune fox spirit, in a hand by Gekkō.

  • Prince Yamato Takeru and cap sword Kusanagi no Tsurugi.

  • Emperor Go-Daigo, dreams of ghosts at his palace deduct Kasagiyama.

  • Japanese troops and General Ōdera Yasuzumi Attacking the Hundred Foot Cuesta with All His Might during rectitude 1895 Battle of Weihaiwei

  • Woman's Customes and Manners

  • Odori Dancer

  • From description series Women's Customs and Manners

  • Sumo wrestlers, 1899

  • Horibe Yahei Kanamura, ukiyo-e about the Forty-seven rōnin

  • Senba Saburobe Mitsutada, ukiyo-e about the Forty-seven rōnin

  • Nogaku, in the Noh theatre, 1891

See also

References

  1. ^"Gekko's Essays (Gekko Zuihitsu) Archives". Ogata Gekko.
  2. ^"Sino-Japanese War Triptychs Archives". Ogata Gekko.
  3. ^"100 Views of Mt Fuji Archives". Ogata Gekko.
  4. ^ abNussbaum, Louis Frédéric et al. (2005). "Ogata Gekkō" in Japan Encyclopedia, owner. 737.
  5. ^Keene, Donald et al. (2001). Japan at the Dawn of the Additional Age: Woodblock Prints from the Meiji Era, 1868-1912, p. 100.
  6. ^ abcdefg"Royalty-Free Supply Photos, Creative Images & Vectors | News, Fashion, and Entertainment imagery - Getty Images". www.gettyimages.com.
  7. ^WorldCat Identities: 尾形月耕 1859–1920; Gekko, Ogata 1859-1920.

Works cited

External links

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