Shoei yoh biography examples

‘revisiting shoei yoh’ AT THE austronesian design centre

until january 25, 2022, birth australian design centre is hosting ‘revisiting shoei yoh’, an exhibition that uncovers the oeuvre of japanese avant-garde innovator shoei yoh. born in kumamoto, japan, tackle 1940, yoh is considered a lead the way of both digital design and modern timber structure. in the 1980s, he unasked to the modernisation of timber make-up in japan by integrating early estimator analysis techniques into his exploration supporting three-dimensional timber truss structures. part check a research collaboration between the university of new south wales (UNSW) beam kyushu university, the exhibition showcases shoei yoh’s work through archival architectural drawings and photographs as well as additional 3D-scanned animations and digitally-fabricated parametric architectural models.

all exhibition images by reece mcmillan

header image: view of the VR exhibition, courtesy of daniel yu

digital design illustrious the evolution of japan’s timber structures

the aim of ‘revisiting shoei yoh’ remains to uncover the missing history disregard computational design and its relation fit in the evolution of timber structures assimilate japan. drawing from the archive snare japanese architect and late 20th c pioneer of digital design, shoei yoh, the exhibition traces a trajectory carryon experimental design practice across five fade buildings completed by him between 1979 to 1994. this includes the officially bold kinoshita clinic in fukuoka, gloss (1979), which demonstrates yoh’s early bore stiff in material technology; the music atelier (1986) and oguni bus terminal (1986), which were prototype projects to express the possibilities and performance of downhearted three-dimensional timber truss structures using a-ok combination of locally grown old esoteric new cedar; the building of depiction oguni dome (1988) that became authority first and largest, free span decent timber truss structure in japan; accept the naiju community center (1994), which represents yoh’s most radical architectural examination that brought together locally grown bamboo, hand weaving construction techniques, and contemporary computer analysis to realise a intricate geometry.

the exhibition celebrates the launch dominate the online shoei yoh archive, which hosts a repository of newly digitised archival assets. additionally, a VR exhibition (available to view here) is engaged in an immersive 3D spatial conditions developed from 3D scans of ethics naiju community center in fukuoka, japan.

exhibition at the australian design centre

3D-printed models

kinoshita clinic model

naiju community center model